For Vol 72, I concentrated on Denmark [edit: Here is Norway, and Finland]. Here is the second in my Scandinavian quadrilogy, a Swedish special. The name is from Norse mythology, Midgarðsormr is the sea serpent that encircles the world, which it's feared will fall apart if he ever releases his bite on his tail. Lets hope that doesn't happen in the next hour at least.
Progg' movement was one of the reasons. It can be likened in many ways to Germany's Krautrock scene; musical collectives exploring ways to use avant-garde rock music in their left-wing, anti-commercial protests against the establishment. While the sound of the 'Progg' movement is not the driving force for this comp, it appears in a few tacks and if you want to know more I recommend a box set called "The Essence of Swedish Progressive Music 1967-1979: Pregnant Rainbows for Colourblind Dreamers".
|Björn Famne e.p.|
Vol2 and here is another stunning timeless sounding track that sounds as though it could have been recorded last week by a contemporary stoner rock band, though it is actually from 1972. November really were a talented bunch and had a distinctive approach to their heavy blues-tinged riffs. Though they were only together for three years, thankfully they made three albums in that time. The awesome production job is the other aspect that belies this recording's age.
here on progg.se. They were pretty average commercial hard-ish rock but I do like this track "Vad Vill Dom" (Eng: What do they want?) which has a cool phased riff and menacing, grinding pace. Tomas Jansson and Janne Åhman went on to 'Circus' who made one e.p.
Metal For Muthas' compilations and had three albums before breaking up in 1987. 1979's 'Self Made Suicide' was their first single which was recorded at Red Ball studio in Shropshire, UK.
Kebnekaise (the name taken from that of Sweden's hightest mountain) have quite a prominent place in Swedish rock history stretching back to the mid sixties. They evolved from Baby Grandmothers, who was one of the country's first heavy psych bands and supported Jimi Hendrix's Swedish appearances in 1968 along with Mecki Mark Men, another of Sweden's formative heavy psych acts. Kebnekaise resulted from a coming together of members of these bands and some more including 'Homo Sapiens' and Tages, an accomplished band that were Sweden's best answer to The Beatles.
Resa Mot Okänt Mål' is fast and brutal by anyone's standards and it's over-laid with pinky'n perky style speeded up vocals.
Stockholm's Neon Rose were a band clearly showing the mid-seventies development of hard rock into speedy heavy metal, as the blistering 'Night Birds' demonstrates. They were lucky enough to get signed to Vertigo almost immediately on formation. After listening through all their recorded output, it's clear they had the musical chops to make it. The problem seems to me that none of their 3 albums were quite consistent enough to adequately maintain the Motörhead-like intensity which they hinted at. A good example of where a little more quality control could have made all the difference.
'4 Ever' were the initial incarnation of Stockholm's Solid Ground who I used back on Vol28. The strange thing is that the two tracks they recorded as '4 Ever' sound a lot more professional than the album that was released under the Solid Ground moniker two years later. If anyone out there can explain, please do... Stokholm's 'The Outsiders' are up next, they only recorded a few singles and both sides of their 'On My Magic Carpet / Inside Of Me' 1968 single are excellent heavy slices of freakbeat punk.
|Charlie & Esdor|
Charlie & Esdor's first recorded music appeared on the 'Festen på Gärdet' live album, a collection of performances from Stokholm's 1970 outdoor festival, which according to Wikipedia, was 'inspired by the Monterey Pop Festival and Woodstock..... and came to serve as something of a unifying starting point for the 'progg' leftist progressive music movement.' In 1972 they made an e.p. called 'Grönt är skönt' and in 2005 Mellotronen released a great retrospective which shows the duo's varied skills in heavy folk, blues and rock, from which 'Fuck The Cops' is a particularly scathing instrumental.
We wind up this one with Uppsala's Rävjunk, which literally means Fox Piss in english. They began around 1970 and played many of the progg movement's free festivals but did not record until 1977. At this time they were in a quandary about whether to follow the new punk trends or continue with their earlier space rock sounds so their only album, the home-studio made 'Uppsala Stadshotell Brinner' ended up as punk on one side and space rock on the other. Both are great though and they were clearly good at what ever they did.
01. Baltik - Leslie Briggs (1973)
from album 'baltik'
02. Björn Famne - Vampire (1975)
03. November - Starka Tillsammans (1972)
from album '6:e november'
04. Asoka - Tvivlaren (1971)
from album 'asoka'
05. Wildmarken - Vad Vill Dom (1977)
from album 'och nu på sjuttiotalet'
06. Epizootic - Sunset, Emotion (1976)
from album 'daybreak'
07. EF Band - Self Made Suicide (1979)
08. Kebnekaise - Kommunisera (1971)
from album 'resa mot okänt mål'
09. Neon Rose - Night Birds (1975)
from album 'reload'
10. 4 Ever - Vansiniga Berta (1974)
11. The Outsiders - Inside Of Me (1968)
12. Midsommar - Till Morsan (1972)
from album 'belsebub är lös ...'
13. Scorpion - Hey Girl I'm Ugly (1970)
from album 'i am the scorpion'
14. Charlie & Esdor - Fuck The Cops (1970)
from retrospective 'charlie & esdor'
15. Rävjunk - Snöspår (Del 1,2 Och 3) (1977)
from album 'uppsala stadshotell brinner'
Thanks for listening, Rich.