Showing posts with label Josefus. Show all posts
Showing posts with label Josefus. Show all posts

Monday, February 6, 2017

The Day After The Sabbath 136: Mainline Riders [guest-curated]



Download all three parts in one large file from: [mf] or [yd]
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or Seperately: Part1 [mf] / [yd] ¦ Part2 [mf] / [yd] ¦ Part3 [mf] / [yd]
Unzip password:  tdats



Before I go any further, I just want to quickly point out a new addition to the site; check out the email alert subscription box on the right of the page if you'd like to receive an email each time a new post is made here.

Welcome to volume 136! Although this site exists to celebrate music from times long-gone, the inspirational, free thinking spirit of past-decades' heavy rock lives on in the many bands playing right now, who also appreciate those times. When it comes to live music, these are mostly the kind of bands I watch, and great festivals like Freak Valley in Germany, Roadburn in Holland, Psycho Las Vegas and the various Desertfests in Europe are a few of the excellent events to see them.

For this volume I had the idea of inviting some of the current bands that have shown interest in TDATS to suggest a few vintage picks of their own, and to contribute a track of their own in the spirit of the music. One of those bands is The Neptune Power Federation from New South Wales, Australia. The band's guitarist and artist Mike Foxall kindly volunteered to paint some awesome original cover art for this volume. Thanks Mike, and check out more of his stuff at theartoffox.com.

So the result is three parts, part 1 is the old tracks while parts 2 & 3 are the new bands. A diverse mix of rock from different countries and different decades results! Some of the old bands have appeared in the blog before, so in this set are songs from them that have not, but there's a healthy dose of new appearances too, like those suggested by Wucan, Stubb, Purson and Admiral Cloudesley Shovell. Parts two and three host contemporary bands including Brooklyn's grooving The Golden Grass, Germany's jamming Samsara Blues Experiment and Finland's space-rockin' Deep Space Destructors. Also making contributions are more scene-favourites like Elder, La Chinga, and Radio Moscow.

One thing's clear from this volume, although some people lament the passing of the classic, formative years of heavy rock and prog, there's still plenty of new talent to carry the torch and it's easier than ever to find it!

Part 1 - old picks

01. Pussy - Pig Mansion (1972) from archival LP 'Invasion'
02. Parish Hall - How Can You Win (1970) from LP 'Parish Hall'
03. Renft - Zwischen Liebe Und Zorn (1972) Single
04. Freshwater - Satan's Woman (1970) Single
05. Doug Jerebine - Reddened Eyes (1969) from LP 'Doug Jerebine Is Jesse Harper'
06. Night Sun - Plastic Shotgun (1972) from LP 'Mournin'
07. Quartz - Satan's Serenade (1980) Single
08. Josefus - Country Boy (1970) from LP 'Dead Man'
09. Osamu Kitajima - Tengu - A Long-Nosed Goblin (1976) from LP 'Benzaiten'
10. Essjay - Twins Of Evil (1971) Single
11. Glory - High School Letter (1973) Single
12. Woodoo - Woodoo-Teema (1971) from LP 'Taikakulkunen'
13. Ancient Grease - Mother Grease The Cat (1970) from LP 'Women And Children First'
14. Group 1850 - Little Fly (1968) from LP 'Agemo's Trip To Mother Earth'
15. Lord Sutch - Wailing Sounds (1970) from LP 'Lord Sutch And Heavy Friends'
16. Hot Soup - You Took Me By Surprise (1969) from LP 'Openers'


Part 2 - new tracks



01. La Chinga - White Witchy Black Magic (2016) from LP 'Frewheelin'
02. The Neptune Power Federation - Mothership (2015) from LP 'Lucifer's Universe'
03. Purson - The Bitter Suite (2016) from LP 'Desire's Magic Theatre'
04. Brule - The Devil's Decay (2016) pre-release track
05. Wucan - Wandersmann (2015) from LP 'Sow the Wind'
06. Admiral Sir Cloudesley Shovell - Bulletproof (2014)
        from LP 'Check 'Em Before You Wreck 'Em'
07. Amulet - Glint Of The Knife (2014) from LP 'The First'
08. Deep Space Destructors - Journey To The Space Mountain (2015)
        from EP 'Spring Break From Space'


Part 3 - more new tracks



01. Pushy - Salem Man (2016) from split with Ragged Barracudas
02. The Golden Grass - Get It Together (2016) from LP 'Coming Back Again'
03. Elder - Compendium (2015) from Lp 'Lore'
04. Radio Moscow - Before It Burns (2014) from LP 'Magical Dirt'
05. Supersonic Blues - Supersonic Blues Theme (2016) pre-release exclusive
06. Stubb - The Wingmakers (2015) from EP 'The Theory of Light & Matter'
07. Samsara Blues Experiment - Midnight Boogie [UFO cover] (2012) Single
08. Danava - The Last Goodbye [Slowbone cover live] (2012) on LP 'Hemisphere Of Shadows'


Part 1 - The Vintage Picks

01. Pussy - "Pig Mansion"
Johnny from Admiral Sir Cloudesley Shovell has suggested a track by Pussy, which was a very short-lived band that came after Jerusalem. In fact, it basically was Jerusalem minus Bill Hinde and  Lynden Williams, but Pussy took a noticeably different direction into glam rock. Johnny comments that Pig Mansion "gives Crushed Butler a run for their money!". Unfortunately their output never saw it on to an album but they did release Pig Mansion as a single, which is the version appearing here. In 2011 Rockadrome issued Pussy's archives on 'Invasion', which included the original, and an extended remixed version of Pig Mansion.

Parish Hall
02. Parish Hall - "How Can You Win" 
Adam Burke, guitarist of Portland Oregon's Pushy, drew a great cover for TDATS Vol 120. He and his band have proffered a Parish Hall track and Adam says "We love the laid-back, almost lazy pacing, bludgeoning, simple drumming and completely burning main riff. It’s strangely difficult to make blues rock that isn't douchey, but these fellas did it right."


Renft
03. Renft - "Zwischen Liebe und Zorn"
This track was recommended by Dresden's "Kraut-fueled heavy flute rockers" Wucan, who started in 2012 and have made two LPs so far. Singer and bandleader Fran explains her choice. "I wish more people were able to understand the lyrics and put it into socio-historical context. Renft were a GDR based band (fabulous musicians!), back when Germany was divided between the Russians and the Allied forces. The socialist GDR government was very strict about which music and what lyrical content bands were allowed to perform.

Renft, being the blues rock voice of the GDR's young generation, didn't let the government dictate to them how to write songs, which in return got them in serious trouble in the early '70s. The band was eventually forced by the government to split in 1975 after they released this track (among others) with very regime-critical lyrics. Even after 40 years the song and its lyrics have not lost any of their aggression or anger, and retain their beautifully intellectual, revolutionary vibes. All Renft songs have been highly influential on Wucan's work."

Freshwater -
04. Freshwater - "Satan's Woman"
Neptune Power Federation's recommendation is an obscure single. Guitarist Troy explains their choice: "Releasing a groovy occult rock 7" means not dealing in half measures. That's why when Australian blues/prog rockers Freshwater released their 1970 single 'Satan' they backed it up on the flip side with 'Satan’s Woman'.

Conservative radio stations of the day ran a mile from this dark offering exploring the grim recent events in a Los Angeles mansion. Decades later The Neptune Power Federation have accepted the torch passed on by Freshwater, vowing to continue dabbling in the black arts, and being ignored by radio"

Doug Jerebine
05. Doug Jerebine - "Reddened Eyes"
Boston's Elder have been around for ten years now (time flies!) and have rightly earned a great reputation in underground heavy rock. Guitarist Nick DiSalvo has suggested a track from New Zealander Doug Jerebine, the real name of 'Jesse Harper', who's archival collection 'Guitar Absolution In The Shade Of A Midnight Sun' has featured in TDATS before (Vol34). Since that record, some more of his vintage recordings have surfaced on the Drag City release 'Doug Jerebine Is Jesse Harper; and that's where 'Reddened Eyes' is from.

Night Sun
06. Night Sun - "Plastic Shotgun"
London's Brule has selected a TDATS favourite, Night Sun. Guitarist Alastair Riddell explains "At the start of the '90s I used to trade tapes with Jus Oborne (of Electric Wizard). There were only a handful of doom bands back then so we would trade rehearsal tapes of Mourn and Thy Grief Eternal amongst other things. In '92 or so he sent me a compilation tape with things like Buffalo, May Blitz, Bang and so on. One track was Plastic Shotgun by Night Sun.

In those pre-internet days I couldn't find anything else by them until 2003, I was crewing for Firebird on a European tour with Fu Manchu, during a few days in Berlin I discovered a shop called Pandora's Box that had Second Battle's CD reissue of Mournin'. Plastic Shotgun sounds like Uriah Heap on amphetamines!"

Quartz -
07. Quartz - "Satan's Serenade"
NWOBHM pioneers Quartz were chosen by London metallurgists Amulet. Guitarist Marek Steven explains. "In the early days of Amulet after forming in 2010, Quartz were a band we all loved and naturally felt kinship with through the decades. Quartz deliver post-Sabbath Heavy Metal with good songs, simple but tasteful structures and evil atmospheric themes with a positive overall vibe.

Having formed in the early-mid '70s they have the individual mentality of that era before the New Wave of Heavy Metal settled into certain patterns from 79-ish. Quartz were ahead of their time with balls deep riffs that should put them in the same bracket at Pentagram and other just-after-Sabbath bands. The fact that Tony Iommi loved them enough to produce and play on the debut album also tells you something.

Quartz did pretty well at the time and recently have reformed and surprised some people with how bloody good they still are... but not us! Amulet have been lucky enough to play some shows with them and it's a always a treat for us to see them play such heavy and brilliant songs so effortlessly. They even have a great all-new album 'Fear No Evil' just out. Amulet aspires to their longevity and attitude, and we'll have a second album in 2017 too so watch out!"

Josefus
08. Josefus - "Country Boy"
Berlin's psychedelic jam band Samsara Blues Experiment threw a Josufus track in to the mix. Founding member Christian Peters remembers: "I chose this because they were basically one, if not the, first rather obscure band I discovered, years ago when most younger people wouldn't even care for Black Sabbath that much...the track 'Country Boy' just seems to suit me fine, since I grew up in a village of ten houses and even now living in Berlin, I'm still sort of a loner, maybe a dreamer too ;) Well, those were the days... Josefus is one of the bands everybody should know anyway."

Osamu Kitajima
09. Osamu Kitajima - "Tengu - A Long-Nosed Goblin"
London's heavy psych trio Stubb have recommended something a little different. This is some chilled Japanese prog by Osamu Kitajima. Quite mesmerising stuff! It comes from his third LP, 1976's "Benzaiten".

Osamu himself was previously in classic Japanese 1960s 'Group Sounds' band, The Launchers. In fact, Launchers bass player and TV personality Yuzo Kayama originally coined the term 'Group Sounds', which became the byword for the popular fusion of kayōkyoku music and Western rock music at the time. Read more at Julian Cope's Japrock Sampler (link).

Essjay -
10. Essjay - "Twins Of Evil"
London's 'psych face-melters' Purson suggested a rare 45 from 1971 called 'Twins of Evil'. Bandleader Rosalie Cunningham has this to say about it: "I could listen to this sinister slice all day, it’s so groovy!

It's a rearrangement of the orchestral theme for the Hammer Horror film of the same name. It was released as a single by ‘Essjay’, a pseudonym for composer Mike Batt who also wrote the Wombles TV theme!"
Glory -
11. Glory - "High School Letter"
Chris Read, bassist with Vancouver hard rockers La Chinga, has also thumbed-up an obscure 45. He discovered this on 'Ultimate Bonehead Volume 3' and this is what that comp has to say about it: "Glory was a San Diego band with two members who were in Iron Butterfly, but too young to follow the band when they moved to LA. This was their only record, the A side is a fine specimen of West Coast raunchiness.

The B side Peaches is also ace, mid-tempo and damn catchy". Chris offers his own opinions on the song...."Glory - High School Letter 1973 Speemo records is a ripping slab of So-Cal righteousness. The raw riff, crunches and punches, the drummer rides the bell, the bass gets busy, the singer wails on about some hottie in a tight knit sweater and getting it on in the old wood barn! And there is even a backwards guitar solo! The moment it fires up I feel like I'm rolling down the street in a boogie van. Perfect."

Glory have appeared in the blog before, back in volume 5 with a track from their only collection of recordings, "On The Air" (Rockadrome)

Woodoo
12. Woodoo - "Woodoo-Teema"
All the way to Oulu, Finland now, for a selection by Deep Space Desructors. Thus speaks singer and bass-player, Jani Pitkänen. "Woodoo was a relatively short-lived band in the beginning of the 70's. They recorded only one LP for a Finnlevy sub-label called UFO.

The LP is called Taikakulkunen (roughly translated Magic Jingle Bell). Lyrically they wrote about death, and mystical aspects of life and the world. We chose this Woodoo track because it's pretty obscure to have a band in Finland playing "world music", specifically at that point in time, and the track is very rocking and deceivingly simple, but has many beautiful musical nuances hidden in it, which we can relate to."

Ancient Grease
13. Ancient Grease - "Mother Grease The Cat"
San Diego heavy psych blues dealers Radio Moscow offered up Mother Grease The Cat from TDATS favourite Welshmen, Ancient Grease.

This is what band founder Parker Griggs has to say: "This track has one of the coolest heavy psych riffs ever, along with one of the coolest and most bizarre titles. We always loved the Ancient Grease album, and this is my favorite track on it. The guitarist really shines, with some Ritchie Blackmore, aggressive sounding leads. Bang your head!"

If you are collecting the best early obscure heavy LPs, I'd say Ancient Grease's "Women And Children First" is one of the absolute essentials. It's as good as anything fellow-countrymen Budgie did, and it's a shame they didn't last long.

Group 1850
14. Group 1850 - "Little Fly"
The Netherlands' Supersonic Blues have joined-in with a track from Group 1850. Guitarist Tim Aarbodem said: "Like us, these guys are from The Hague, which is one of the reasons we chose them. Group 1850 are a brilliant psychedelic act from the late '60s, easily one of our favourite bands from The Hague's 60s beat era.

You could say they were the (Syd Barrett era) Pink Floyd of The Hague, but they definitely had their own vibe. Unfortunately their singer and bandleader Peter Sjardin passed away recently. We've played Group 1850 tunes in the past. They're not a direct influence on our music but we hold them high in regard!

Once we were shooting some band photos at the Catholic graveyard here in The Hague. We were walking around for a while and one grave grabbed our attention. It had a statue of a dog on it, which we thought was a nice detail. But when we looked closer it turned out to be the grave of Daniël 'Dean' van Bergen, the original guitarist of Group 1850! We didn’t know he was buried there at all, was it a sign perhaps? A confirmation from above of us doing well?! “…and Daniël van Bergen saw that is was good.”

15. Lord Sutch & Heavy Friends - "Wailing Sounds"
One of the new tracks that Portland's Danava submitted was a Lord Sutch cover, so I have taken the liberty of using a Lord Sutch original as their old pick, I don't think they'll mind...

David Sutch (aka Screaming Lord Sutch) was a musician and 'Monster Raving Loony Party' political satirist/activist who had many friends, enough in fact, to get Jimmy Page, Jeff Beck, Noel Redding, John Bonham, Ritchie Blackmore and Kieth Moon (among others) to play on various records of his! 'Wailing Sounds' is the opener from 1970's 'Lord Sutch And Heavy Friends', it was co-written by Jimmy Page and features Page & John Bonham doing their thang.

Hot Soup -
16. Hot Soup
           - "You Took Me By Surprise"
Adam Kriney, singing drummer of Brooklyn's "free-wheelin, good-time rock & roll band" The Golden Grass, has suggested a track from Hot Soup.

This was an obscure band that had notable guitarist Frank Carillo, who made a few records in different acts including the boogie-rocking Doc Holliday in 1973 and 'Carillo' in 1979. Hot soup was a soul rock act that was quite tame, except for 'You Took Me By Surprise', which rocked things up a few notches with its solid hammond and funky rhythms!


Part 2 - The New School

La Chinga
01. La Chinga - "White Witchy Black Magic"
Taken from "Frewheelin" LP on Small Stone Records (2016)

Vancouver's hard rock power trio La Chinga are another band that are into this blog and have helped out on occasion with some opinions and recommendations. If you dig the selection of obscure crunching bonehead US singles that have appeared on many TDATS volumes thus far then you'll get what La Chinga are all about in no time; getting in your car, going out and having a good time while you can, as we could all be dead tomorrow, what have you got to lose? According to bassist/singer Chis Read, 'White Witchy Black Magic' is a true story, so I'd be wary of the female company this band keeps if I were you...

The Neptune Power Federation
02. The Neptune Power Federation - "Mothership"
Taken from "Lucifer's Universe" LP on Bandcamp (link)

Guitarist Troy describes his band: "Hailing from Sydney Australia, The Neptune Power Federation are a grandiose grime-encrusted heavy rock machine, powered by hellfire, beaten fuzz pedals and space hallucinogens. The track 'Mothership' was forged after consultation with extraterrestrial beings the band came across in a pub car park, after admiring their panel van's original Frank Frazetta paint job."

Purson
03. Purson - "The Bitter Suite"
Taken from "Desire's Magic Theatre" LP on Spinefarm Records (2016)

Soon after making it into this comp, Purson unfortunately announced the end of their time together, but they still wanted to contribute.

Founder Rosalie Cunningham said: "This is the final song on the final Purson album. A three-part ode to sex, drugs and rock and roll (not in that particular order). This song gives an idea of the direction my writing is going at the moment."

Brule -
04. Brule - "The Devil's Decay"
Find Brule's initial recordings on Bandcamp (link)

London's Brule come self-described as "Heavy Metal Rock ‘n’ Roll, four guys with a background in hardcore, doom and death metal, rocking to the classics like Pentagram, Skynyrd, The Who and Deep Purple".

Guitarist Alastair Riddell says this about the track appearing here. "The Devil's Decay started off sounding like Saint Vitus. It wasn't even a consciously written riff. I was just warming up hitting notes but Rob [Wilson - Drums] started playing along. Somehow between Johnny [Ogle - Vocals] joining and Rob speeding it up a bit, it ended up sounding like Pentagram. Johnny and I have been listening to them for over a quarter of a century so it is just natural I suppose." See Brule playing at London's Desertfest in April this year!

Wucan
05. Wucan - "Wandersmann"
Taken from "Sow The Wind" LP on Made in Germany (2015)

If you are at Desertfest London this year, you'll be able to see Wucan's first appearance there. Singer and bandleader Fran comments on their track 'Wandersmann'; "Well, what is there really to be mentioned? We all see this song as the Wucan-defining song. In many ways this song took our musicianship a step further.

Even now we are still stunned by how much this song has developed, and continues to take shape, since we first performed it."

Admiral Sir Cloudesley Shovell
 06. Admiral Sir Cloudesley Shovell - "Bulletproof"
From "Check 'Em Before You Wreck 'Em" on Rise Above Records (2014)

Hastings' own Admiral Sir Cloudesley Shovell (try saying that after 9 pints of Double Diamond) have been belting out no-nonsense swagger-filled rock'n roll for a few years now. Their third album 'Keep It Greasy!' is recently out on Rise Above Records and it's their best yet!

Amulet -
07. Amulet - "Glint Of The Knife"
Taken from "The First" LP on Century Media (2014)

London's Amulet are one of the UK's proudest purveyors of traditional heavy metal, championing the days of the NWOBHM.

Founding guitarist Marek Steven also organises London's annual Live Evil festival (link), a two-day festival which hosts vintage and new heavy metal bands from around the world.

Deep Space Destructors
08. Deep Space Destructors
             - "Journey To The Space Mountain"
From "Spring Break From Space" EP (2015) on bandcamp (link)

Bassist Jani Pitkänen speaks: "With Deep Space Destructors, we are on a similar path musically to the old band we chose, Woodoo; making more rocking songs, simplifying things here and there but still the songs have unique characteristics in them, but we don't expose these things straight out. It's best not to serve everything on a silver platter all at once, even though it's the thing to do nowadays. We still believe in discovering things in music on your own and finding new or old cool music, for which TDATS compilations are a great example!"

Band links for part 2

La Chinga (fb) ¦ The Neptune Power Federation (fb) ¦ Purson
Brule ¦ Wucan (fb) ¦ Admiral Sir Cloudesley Shovell (fb)
Amulet (fb) ¦ Deep Space Destructors (fb)


Part 3 - The New School contd.

Pushy -
01. Pushy - "Salem Man"
From Ragged Barracudas/Pushy split LP on Who can you trust? (2016)

Some excerpts straight from the band: "Pushy started as a long-fantasized side project for Travis Clow of Crag Dweller and Adam Burke of Fellwoods. They wanted a band that'd make you want to light your bushes on fire/take your pants off/stop showering/give up on Dry January/put off your taxes/kiss random people/dig holes and throw away all your post punk records. Crack open a cold one...well, several cold ones, and get down to the good time rock and roll for river doggin', hot doggin', hangin' out and catching trout."

The Golden Grass
02. The Golden Grass - "Get It Together"
Taken from "Coming Back Again" LP on Listenable Records (2016)

Golden Grass
's drummer / singer Adam Kriney has been a fan of TDATS for a long time and has assisted in a few of the volumes so far, most notably when I was looking for biker movie rock for vol 109 (link), which was a ton of fun to make! The band describe themselves as "Rooted in sun-soaked and funky southern/country US classic rock back-beat, emblazoned with swinging, hip and groovy UK mod/soul/freakbeat vibrations and bursting with proto-metal bluesey-prog overtones", and I'm not going to argue there!

Elder -
03. Elder - "Compendium"
Taken from "Lore" LP on Armageddon (US) and Stickman (EU)

'Compendium' is the opening track from Elder's third LP "Lore". The band is widely improvisational and specialises in long tracks that pull from all ages and flavours of heavy rock.

When asked which Elder track he'd like to offer, guitarist Nick DiSalvo said "None of our songs really obviously reference only 60s-70s stuff. I have a hard time in general seeing the forest for the trees with our own music, if you get me, but Compendium is the most obvious reference to me."

Radio Moscow
04. Radio Moscow - "Before It Burns"
Taken from "Magical Dirt" LP on Alive Records (2014)

Bandleader Parker Griggs: "Before it Burns is one of my favorite tunes to play live.  It starts heavy and in the middle goes into some free-form jams that give the band a chance to reach outer space.  Different each time we play it, so always keeps us on our toes!"

Supersonic Blues Theme
05. Supersonic Blues - "Supersonic Blues Theme"
Pre-release exclusive

Guitarist Tim Aarbodem: "Supersonic Blues was started in 2013. Gianni (bass) and I met through our love of vinyl, spinning some records on Radio Tonka, an underground radio station in The Hague. Lennart joined on drums at the end of 2015.

Guy Tavares (Orange Sunshine, Santa Cruz) made our first studio recordings in his Hague studio. It’s packed with rare vintage amps, drums, studio gear, it was an awesome and crazy experience! 'Supersonic Blues Theme' is one of the four songs we recorded, we had a high-school-rock-MC5 thing in mind for this one. This and another song will be released as a 7" on Who Can You Trust? Records in early 2017, thanks to Ragged Barracudas drummer/vocalist Christian Dräger, the man behind the label. There are a lot of cool bands on that label, such as Hot Lunch, Lecherous Gaze, Pushy, Wild Eyes and Zig Zags."

Stubb
06. Stubb - "The Wingmakers"
Taken from "The Theory of Light & Matter" split EP with Mos Generator on HeviSike Records (2015).

See them recording this in the studio (link). Stubb are one of four bands in this comp that are playing at London's Desertfest this year, so check out their warm-sounding fuzzy grooves there if you are attending.

Samsara Blues Experiment
07. Samsara Blues Experiment - "Midnight Boogie"
From "Center Of The Sun/Midnight Boogie" EP on World In Sound (2012)

Band founder Christian Peters talks about the track: "Midnight Boogie is our rendition of the UFO track, which was one of the bands I totally worshipped in my later school days. Blasting their early albums on my car stereo, windows down, drinking beer during free lessons, all the stupid stuff you do when you're young and pretend to be cool. It's nice memories, and I can be very nostalgic... well...". Samsara Blues Experiment will be playing at Desertfest in London this year.

08. Danava - The Last Goodbye [Slowbone cover live]
From "Hemisphere Of Shadows" LP on Kemado Records (2011)

Like The Golden Grass, Portland OR's Danava have been vocal supporters of TDATS for years and have appeared in the site before, including a 2013 interview with main man Greg Meleney for vol 86 (link).

Greg kindly submitted some very raw live recordings to include in this one, but as they are in need of a lot of cleaning-up, for the sake of the deadline I decided to use a live recording of theirs from a different occaision. It's a Slowbone cover, an awesome UK hard rock act that unfortunately did not release an official album but were an inspiration to a young Iron Maiden. Perfect choice here, seeing it's a fantatstic track and Slowbone's original version has been in the blog already!

Band links for part 3
Pushy ¦ The Golden Grass ¦ Elder (fb)
Radio Moscow (fb) ¦ Supersonic Blues ¦ Stubb (fb)
Samsara Blues Experiment (fb) ¦ Danava

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I hope you enjoyed this. Many thanks to all the bands who took part, and to all of you who have supported Aftersabbath.com thus far! Cheers, Rich

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Monday, December 1, 2014

The Day After The Sabbath 110: Heavy Psychs, Man! [Mik Kay interview]


Download from [mf] or [mg]
Unzip password:  tdats



The Day After The Sabbath 110: Heavy Psychs, Man! by Rich Aftersabbath on Mixcloud


Welcome to episode 110 of The Day After The Sabbath. This instalment has been made in collaboration with a guy who was an influence when I started this site, so it's about time he received some recognition from me! He lives in Sweden and his name is Mik Kay, he's been running a blog called Heavypsychman for over five years. 


heavypsychmanblog.blogspot.com
Many of you will have come across his blog before as he's made quite a name for himself among all the heavy-hunters out there. His mission is the same as mine, but whereas my interest developed from a pre-internet age love of '90s grunge and alternative rock, now covering a wide period of styles up to 1980, Mik comes from a early-black/death metal background and specialises mainly in the rawest, loudest and loosest heavy psych he can find, usually within the years of 1968 to 1973. The sweet spot where heavy psych was convergent with the newly emerging hard rock sound. He has kindly agreed to curate this compilation, which complements an interview I have done with him.

The resulting comp has instantly become one of the rawest, loudest and fuzziest sets you'll ever hear on TDATS, and you are gonna love it! All the tracks are new to TDATS, as are six of the artists: Bulbous CreationSmack, Jarvis Street Revue, Negative Space, Bent Wind and Smokin' Willie. The great thing is all 12 of these are album cuts, and they are backed-up equally by the quality of their respective albums, so if you look further into any of them you will most certainly be rewarded.

TRACKS (with Mik's description)
01. Dragonfly - Blue Monday (1968)
       from album 'Dragonfly' 
       "Garage rock with wild fuzz meets H U G E amps"
02. Smack - Sunshine Of Your Love (1968)
       from album 'Smack'
       "An underground Cream plugs into Blue Cheers amps"
03. Sainte Anthony's Fyre - Lone Soul Road (1970)
       from album 'Sainte Anthony's Fyre'
       "Crushing riff of crude raw Heavy distorted Fuzz"
04. Fire - Flames (1973)
       from album 'Could You Understand Me'
       "Monster raw Heavy Fuzz-gasm"
05. Stone Garden - Assembly Line (1969)
       from album 'Stone Garden'
       "Monster HEAVY dynamic crusher"
06. The Jarvis Street Revue - Mr. Oil Man (1970)
       from album 'Mr. Oil Man'
       "Megalithic meglo heavy fuzzsound with equal vocals"
07. Negative Space - Forbidden Fruit (1970)
       from album 'Hard, Heavy, Mean & Evil' 
       "Heavy raw mean and in your face crude blast"
08. Joshua - No Country (1969)
       from album 'Opens Your Mind'
       "Lead Sled of Heavinesss in your face with crude raw edge"
09. Bent Wind - Sacred Cows (1969)
       from album 'Sussex'
       "Heavy Earthquake-evoking rhythm with wasted leads galore"
10. Bulbous Creation - Let's Go to the Sea (1970)
       from album 'You Won't Remember Dying'
       "Heavy basement trip with eerie dark undercurrent"
11. Smokin' Willie - Get Ready (1970)
       from album 'Smokin' Willie'
       "pulverized Rare Earth cover with Most extreme FUZZ leads in existence"
12. Josefus - Dead Man (1970)
       from album 'Dead Man'
       "Monster Heavy doomed Blues based audioal freight train"



Mik's Heavypsychmanblog reveals vinyl rips of lost albums, re-issues of such things from labels like Rockadrome, and his own hand-picked comps, resulting from his searches. He has a great ear for it all. He succeeds in catching the mood and atmosphere of the late '60s/early '70s heavy underground which worshiped the fuzz box, beer and weed with reckless punk attitude. His honest, no-nonsense writing style gets you amped-up just by reading about what delights are in store and you can be confident to hear only the most fuzzy, heavy and wildest cuts conceivable. He's made two series' of comps so far, Heavy Psych Explosion 1-8, Monster Garage Rock, and the most recent, Stack Attack, which is up to Vol5.


Interview with Mik Kay


Mik Kay Heavypsychman
Mik Kay
aka Heavypsychman
We begin with Mik's personal viewpoint on the more recent music that shaped his tastes and led to his appreciation of older sounds. Take it away Mik!

Mik: Hello Rich, first thanks for the honour of being interviewed.

Q1. You are from Stockholm and you have spent some time living in Australia. Can you tell us some of the major events and influences in your life that lead you to start HeavyPsychMan blog? Did living in Australia have any influence in what you are in to, or the blog?

Yes I live in one of the shittest bluecollar suburbs of Stockholm and lived in a similar suburb in Sydney AUS so yes when you have a heavy environment it affects you. For my part the earliest Raw heavy sounds that attracted me were like pre-84 M O T Ö R H E A D, Bon Scott-era AC/DC, Venom and bands like Sodom, Hellhammer, Bathory. Those were the rawest n' heaviest bands of the time I knew about. Well in the early '90s that pseudo death metal thing started by disillusioned ex Metallica and Slayer fans and the objectionable (in my opinion) character of Öystein Arseth of Mayhem who invited all manner of people into the black death metal scene destroyed everything and I lost interest in that scene. The stuff after 91/92 is awful at best IMO.

Dave Chandler
of St Vitus
What was I going to listen to now? Well I loved doom metal like Candlemass, Mercy and Vitus and I think it was Dave Chandler who said he was influenced by Blue Cheer for his leads. Vitus V or five, was a major influence that got me interested in the Heavy '70s scene. It had the hippy bias thing going on BUT the music was HEAVY I mean Heavier than the stuff I had listened to previously. The easiest to find here in SWE was Purple, Sabbath, Led Zeppelin and Mountain on LP. I got them and the CD reissue boom came around then also. I began to exclusively listen to '70s heavy music, but the raw edge of the stuff I'd previously liked lingered on and I discovered Blue Cheer and that was a major introduction into heavy psychedelic sounds with a heavier and wilder style than all the rest so I started to explore more and gradually discovered more and rarer bands.

To make a long story somewhat graspable, 1990s tape trading and the '70s music reissue boom in the '90s laid the musical foundation for Heavypsychman as the blog was originally called. I wanted to share this wealth of great raw HEAVY music with like-minded people and blogspot was a great medium and a super tape trading platform. Also that Sabbath is the only really heavy band talked-about pissed me off so I showed people MORE bands were heavy and even Heavier hehe.


Q2. Have you ever been a musician yourself? If so, what do you play and are you in a band?
I played guitar and in the early '90s and wanted to start a trio into demo-era Sodom/Hellhammer kind of music but guys here in Sweden didn't get it, (so much for a death metal boom here) so nothing happened, I still play but now raw southern Bluesy Kinks meets Zeppelin/Cheer stuff. Now I don't have time to play in a band but you never know...


Q3. You have used a lot of different bands and styles on your blog. Could you tell us what your favourite styles in old rock are, and why?
The rawer and the heavier the better, provided the music is good 1965 - 1975. I also love long jam psych from SWE and SF USA and AUS rock. The warm heavy tone of that era combined with super songwriting and talent is a winning combination. I use the term Heavy psych which I actually snatched from a comp called Heavydose of Heavypsych by Arf Arf records. I love fuzz psych and monster heavy bass/drums and raw sounds. Motörhead/Venom had that sound which originally influenced me and has never left me.

Mecki Mark Men poster
1969

Q4. Who are some of your favourite artists from those times, famous or not?
Rare bands: Stone GardenJosefusJoshua (Ca), Bulbous CreationSainte Anthony's FyreBolder Damn, Jarvis Street RevueBent WindSmackFirebirds (Crown band) and Mecki Mark Men. I also like original loner-folk and good original underground psychedelia.

Known bands; Zeppelin (specially 2 & 4, Levee Breaks kills) MountainBlue Cheer 1 & 2, Cream, Hendrix, The Who (Live stuff), Grand Funk Railroad 69-70, Sabbath 1 to 4, Cactus 1st, Purple 'In rock'.



Q5. Personally, I think the short period between the late '60s and early '70s was the best and most creatively interesting time in rock history. What are your opinions on why there was such a creative explosion during those times and what other periods and genres interest you most up until the current day?

The zeitgeist of that era was progressive optimism and everything was possible. The future was bright and the postwar era prosperity made a renaissance of the regular man's music which, rock and blues is. A unique time in history from which we now enjoy the fruits. Progressively since the 1973 oil crisis things in the west have gone down hill. In the 90's rock really died and lost it's momentum. There's still good stuff out there like Mount Carmel and Endless Boogie but not in the spotlight like in previous eras. Stoner rock is bland and boring. I liked Fu Manchu's 'In search of' but the other bands sucked IMO, Just no good songwriting anymore or noticeable talent, or even real effort. I saw Vitus live a year ago and the opening act was beyond awful, people walked out and waited for Vitus to take the stage instead, that kind of says it all.


Q6. How are the bands chosen or found for your blog? Do you chose them all yourself, do you get suggestions and recommendations?
I choose the stuff myself and it must fulfill the originality and musical quality demands I have. If an album has one killer tune I save that for a compilation instead of posting a whole bland album. I learnt my trade from record lists and labels like Rockadelic, The Void. Subliminal Sounds and great fanzine and tape-trading friends like Ray Dorsey etc etc in the 90's. Great folks I am greatly indebted to. Cheers to you all you unsung heroes of the underground.


Captain Foam's wall of amps
Q7. Could you tell us three Heavypsychman discoveries or comps that are particular favourites of yours, and why?
The music I share is known by hardcore collectors but they are not always willing to share it. Captain Foam is a killer discovery (we need live tapes). Ceptic Frog is another (the tape owner is 'difficult' I'm told). Mecki Mark Men Live, It took me years of asking before they got posted on Youtube. I like everything I post and actively listen to it all before sharing. If it seems iffy it's not posted.


Q8. Have you ever got in contact with any of the artists?
Our mutual friend Klem [Breznikar of It's Psychedelic Baby - See Vol94] is great at this and his webzine is a dream come true. I have met and talked with members of Mecki Mark Men and Träd Gräs Och Stenar, great folks. They don't understand the big deal with their modern day fame. I would like to hear from members of Bulbous Creation or The Firebirds (LA band) as would most of us.


Bolder Damn
Q9. What is the future for Heavypsychman blog? Do you have any further plans regarding your love of rock music?
I'm happy just to post stuff once a month and searching for rare Heavy raw psych n heavy rock music like you yourself, I must say you and your friends are great at finding new stuff, Big thanks for your efforts you guys. That's what the underground is about. I saw that Bolder Damn was reissued by Guerssen, I still remember when Rockadelic and The Void reissued it years back. My Heavypsych Explosion series was inspired by all those garage psych compilation LPs of the '80s and '90s, I have No LP/CD ambitions, there's too much money and plastic hoarding involved. I'm a music fan not a plastic & cardboard fan. I hate the mainstream labels for all the money sucking they did before the mp3 revolution. I burn a CDR or DVDr to archive my stuff. I dream that a Spotify for rare underground music would come along, so computer nerds, get cracking, we know the music you know the tech...


Q10. Can you tell us something about being a psychedelic rock fan in Stockholm? Do you get much opportunity to watch old bands live, or old-styled/retro bands? I know Sweden has a lot of great stoner/psych bands and it's a relatively big thing over there.
Hehe we have Träd Gräs och Stenar here, I actually prefer Gothenburg bands Centralstödet and Ett Rop på Hjälp över these Stockholm retro 70's bands. Not a fan of them, not authentic to my ears but surely nice guys, doing something they are passionate about.

Centralstödet are raw long jam-psych from Gothenburg (album out on Cassette!) and Ett Rop på Hjälp are heavy rock from Gothenburg. There's a lot of pop bands here with psych influences but that's not my bag.
[Mik reviewed Ett Rop på Hjälp's 2012 album here]


Q11. Are there any bars, venues or record shops etc that would be good to check out for anyone who finds themselves in Stockholm or near-by?
One shop that I can recommend in Stockholm is Got To Hurry records (they had Rockadelics in their boxes when I was there last, Stone Garden!) Subliminal sounds is a must and the Guru as we call him (Stefan Kery) is a psych specialist and great super wired dude. His shop was legendary but Stockholm didn't get it (I did!).


Q12. Could you tell us about some of your favourite current or new artists from anywhere around the world?
Mount Carmel and Endless Boogie are great and underexposed as f**k, Hear them or be square! 

[Mount Carmel's label: link. Endless Boogie's label: link.]

I agree, wholeheartedly about Mount Carmel, I loved their 2012 album 'Real Women'. I will check out Endless Boogie too!


Q13. Is it correct you were editor of Golden Void Fanzine? If so, can you tell us a little about that?
Yes, it was a simple xeroxed zine typed/handwritten and used even computers for reviews. It had hand-drawn psych art by myself. It featured basically the same bands as in my blog, which is a kinda continuation of it. I have no copies left or even originals, but if ya like the blog, you'd have liked the zine. I did it 98 - 99 with 4 issues.


Q14. What have you learnt from your experiences of making the HeavyPsychMan blog? Do you have any useful advice for rock fanatics who are considering starting a blog or similar project themselves?
Be YOURSELF and share YOUR passion, Have quality control in mind because YOU influence the scene, YOU make it or destroy it. Don't post like a manic fool, take your time. For me once a month is good. I remember that dude "Chris Goes Rock" who posted 4 - 6 albums a day? Did he ever hear the music he posted? That's crazy. Get to know your underground friends and link each other. I wish you the best. Yes avoid major label artists or you get deleted links and "friendly" lawyer emails... Yes that's why I don't post Led Zeppelin 4 despite me loving it. Don't post new reissues until the small labels have a chance to sell their copies. I usually wait a year.

Yes, I remember Chris Goes Rock, he is still around in the blogosphere - I used to get a lot of music from him in the days before blogs, when his uploads where listed on torrent sites like Suprnova. He is how I first heard a lot of the music that helped me start TDATS. I do think he is genuinely knowledgeable and had been listening to this stuff for a long time before the internet enabled him to push it all...


Q15. Finally, do you have anything further to say to TDATS and Heavypsychman blog readers out there?
Rich, T H A N K Y O U and the rest of the guys in our scene for finding and sharing Great rare Heavy music. Your Biker rock compilation [Vol 109] was a Blast, Keep that level up n' you will rule. Special Thanks also to everyone who has visited and heard music from Heavypsychmanblog, hope you had a blast. It's great to see how many of the featured bands now actually are known by folks who can appreciate them. Great 2015 to everyone Rock On! Mik.

And thanks to you too Mik!


The Bands



Here's a more in-depth rundown of all the bands appearing on this volume. I must say many thanks to Klemen Breznikar and It's Psychedelic Baby for some of the images I used here, collected by Klemen for the many exclusive interviews he has made with members of these bands.

references
HeavyPsychManBlog | Canukistan Music |  Museum of Canadian Music
RateYourMusic | Official Josefus Site | Discogs.com

Dragonfly (1970) & The Legend (1968)
Dragonfly (1970) & The Legend (1968)
Durango, Colorado's Dragonfly made on album in 1970. They were actually the band The Legend without Ernie McElwaine. [tymeshifter at RYM: "Note that this is actually the band The Legend without Ernie McElwaine. The group never performed under the name Dragonfly, supposedly just the album title here only. Somehow, well after the band had broken up and on subsequent reissues, Dragonfly has stuck as an alias for the band."] The rest of the band was Jack Duncan (bass), Barry Davis (drums, backing vocals), Gerry Jimerfield (guitar, lead vocals) and Randy Russ [Randy Russell] (guitar, backing vocals). The album has been reissued by labels including Sunbeam, Guerssen, Gear Fab, Progressive Line and Eva.

Smack LP (1968)
Smack LP (1968)
Smack's album was recorded in Aug, 1968, at the Midwestern Band and Art Camp, held in Lawrence, Kansas. The original issue was pressed in a quantity of 100~150 copies, and sold to other attendees at the camp. It contains nine fuzz-drenched covers; four Hendrix covers, three Cream covers, a Buffalo Springfield cover, and an interesting reinvention of a Kinks track. The band personel are listed on the cover as Phil Brown (vocals?), Alvin Haywood (bass), Jim Uhl (guitar) and Lee Overstreet (drums).

The LP has been re-issued by Shadoks, this is what they have to say: "Recorded in late July early August 1968 In Lawrence, Kansas USA. The four Smack members were all summer scholarship music and arts students attending Kansas University (KU) in Lawrence, Kansas. All music tracks were cut 'Live' - only over-dubed lead vocals and background vocals. That year there were some 2800 summer students attending a 6 week summer arts scholarship session - 1800 females and 900 males. Smack was born and played a gig several weeks later and the next thing you know they were all 'stars' of the campus. Someone from the university arranged for them to go in and record an album. An original Smack LP is rare as gold dust. We have only seen 2 copies for sale the past 15 years for massive money. The music is great cover versions played with extra heavy fuzz guitar, vocals, bass & drums. Those versions of Cream and Hendrix songs are killer. The whole album (very well produced) has a one of a kind Psychedelic feel. There are not many cover albums which give you another perspective on those known songs. This album does for sure."

Sainte Anthony's Fyre were a power-trio from Trenton, New Jersey who's rough recordings still convey their hard rocking intentions perfectly. There is an interview with their drummer Bob Sharples here at Psychedelic Baby webzine. The rest of the band was Gregory Onushko [Greg Ohm] (guitar, vocals) and Tomm Nardi (bass, vocals). They made one s/t album in 1970 which has been re-issued by labels such as Breeder, Void and Rockadrome.

Fire
Unusually, Fire was a Croatian band, made up of Jura Havidić (guitar, vocals), Miljenko Balić (bass) and Emil Vugrinec (drums, vocals). They made one album in 1973 which has been re-issued by labels like Estrella Rockera and Skyf Zol. A story goes that they were hand-picked by Captain Beefheart to be his opening band, but the drummer fell ill and was hospitalized for 3 months, so it never happened. Klemen Beznikar travelled all the way to interview Jura Havidič in person, which you can read here.

Stone Garden
Stone Garden
promo shot
Stone Garden hailed from Lewiston, Idaho. They only released a single at the time, and their mind-blowing other material made between '69 and '72 was first posthumously issued by Rockadelic in 1998. This music is well-written and damn heavy, you can't go wrong with this band, which could have been far more successful. There is an interview with guitarist Paul Speer here at Psychedelic Baby. Their material has since been re-issued by Gear Fab, Shadow Kingdom and out·sider.

One band here which is new to me is The Jarvis Street Revue, from Thunder Bay, Ontario, Canada. They appear to have had a strongly pro-environmental, anti-big business stance in their songs.  They made one album in 1970 and it's a good one, with a strong concept, quality production and playing that you'd expect from a much bigger name. The track here, 'Mr. Oilman', is a progressive psych monster. The gatefold cover folds out to show a striking image of Christ holding the earth in outstretched arms, while it dies from a covering of toxic sludge. The band was Tom Cruickshank (drums), Wayne Faulconer (guitar), Tom "Tommy" Horricks (vocals) and George Stevenson (bass). Their only album has been re-issued by Pacemaker and Void.

The Jarvis Street Revue LP (1970) - Full Cover
The Jarvis Street Revue LP (1970) - Full Cover

Negative Space is another new entry to TDATS. Like Sainte Anthony's Fyre, they were from Trenton, New Jersey. They were built around the talents of guitarist Jimmy Moy, drummer Lou Nunziatta, bassist Bob Rittner and singer/rhythm guitarist Rob Russen. They only pressed a few hundred copies of their sole s/t album, for promotional purposes. The album has been re-issued by Monster and Rocakdrome. In 2000 Monster produced a re-issue with many extra tracks and unheard material called 'The Living Dead Years'.

Joshua played a spritely and somewhat heavy set of California psych from the same scene as Blue Cheer. Another posthumous release from Rockadelic, the "Opens Your Mind" album liner notes say "Fronted by singer Mick Martin, Joshua were at the center of a scene that, for the most part, ignored the flower power shenanigans going on up north and worshipped at the altar of heavy Rock & Roll." The rest of the band was Wayne Smith (lead guitar, vocals), Ray Halverson (lead guitar), Larry Sherwood (bass, backing vocals) and Rick Yarrision (drums).

Bent Wind are the second Canadian band in this comp, from Toronto. The album "Sussex" is named after the street they used to jam on. Read some more here. Guitarist Marty Roth reformed the band two decades after the first album and made two more, in 1989 and 1996. 

I was sure that I had used Bulbous Creation on TDATS before, but looking back it seems I did not, so thanks Mik for the reminder about this brilliant album! Here is another find from the vaults of obscurity by Rockadelic. Nicely, the tapes were found at the same Cavern Sound studio in Missouri that Rockadelic found the Crank tapes, a favourite of mine. The whole album has a dark, almost gothic feel to it, but it is most certainly top, heavy fuzz-psych all the way. The track Mik has recommended here, 'Let's Go To The Sea', is a long and explorative piece with some truly trippy delay madness around the half-way mark, worthy of the best in prog and krautrock of the times.This band was not just another bunch of bonehead crunchers and it's a shame we will never get to see what they might have become if they hadn't disappeared...



Like Smack before, Smokin' Willie's album is made up entirely of heavy fuzz covers. The track that Mick wanted to use here is the Temptations cover "Get Ready", and it shows how well old R&B songs can be adapted to heavy psych. The entire album was recorded live, and the less than stella recording quality can be a little off-putting at first, but you soon realise that this gives it some extra ambiance that would be lacking in a studio. This was re-issued by Radioactive in 2004.


Unlike all the other bands in this volume, Houston's Josefus managed to hang around long enough in their first incarnation to record two albums' worth of material, but broke up not long after that. Their first album (pressed 3000 times) had good local success but they were rushed by the Mainstream label to produce the second. The pressure was increased by some internal friction in the band. They were not so happy with the resulting LP and the label dropped them soon after. Two members joined Stone Axe (Pete Bailey - vocals, Ray Turner - bass), who made a phenomenal single that I have used both sides of previously in TDATS (Slave of Fear / Snakebite). Incidentally, a special thanks must go to Robin Wills of Purepop blog for revealing that single a few years ago.

This closing Josefus track is a blues epic lasting over 17 minutes, at first you might think this is quite an ambitious prospect for a debut album from a band like this. They pull it off and even get a bit progressive along the way. The ambition of Joseufus's remaining members has been proved by the fact they have reunited many times over the years and released more material, old and new, the most recent being 'Not Dead Yet'.


That about wraps-up this volume of TDATS, Thanks to Mik for the time and inspiration, and thanks for reading. Cheers, Rich

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